Shyamal Karmakar (Professor & Head of the Department)
Academic qualification: Post graduate diploma in editing from FTII, Pune
Industry experience: Worked with eminent directors like Kundan Shah, SaeedMirza, VidduVinod Chopra. Edited the award winning feature film Oye Lucky LuckyOye, directed …
Debashis Guha (Associate professor)
Academic qualification: Post graduate diploma in film editing from FTII, Pune.
Saikat Shekhareshwar Ray (Assistant Professor)
Academic qualification: Post graduate diploma in editing from SRFTI, Kolkata.
What is Editing; Early Days Of Editing; Spatial & Temporal Continuity; Analog & Digital Editing; Montage; Pace & Rhythm; Editing & Sound; Digital Postproduction
Introduction To Digital Nonlinear Editing Systems
Editing Rushes With DNLE
Semester Ending Project – Continuity Exercise (DV)
Specialization (II to VI semesters)
Editing History (Early years, Russian School, German Impressionism, Italian Neorealism, French New Wave)
Editing Theory (Grammar & continuity, pace & rhythm, mise-en-ecene)
Digital theory(Basic concepts of computer technology, analog and digital video, compression formats, different media, working with film on the digital platform)
Documentary (History of documentary, Indian documentaries, British documentary movement, Cinema Verite, Direct Cinema, political motivation in a documentary, resurgence of documentaries in Europe and America)
Editing With Steenbeck and Digital Nonlinear Editing Systems
Editing drama, documentary
Advanced Digital post-production
Editing musical sequence
Graphics and compositing
Basic sound designing
DV film (Integrated Course)
Tuhinabha Majumdar (1st Batch) Winner of the Golden Conch Award at MIFF 2012 in the International Competition Section for the film “Midnight Bioscope” Saikat S. Ray (4th batch) Won the National Award for Best Editor in the film “Hope Dies last in War” (2007). Also received 2 IDPA Gold Awards for Editing for the […]
Our objective is to endow students with comprehensive theoretical as well as hands-on-training with state-of-the-art technology that are being used by professional filmmakers in India and abroad.
The department houses separate wings dedicated to film and digital video editing environment.
- The film section consists of nine separate Steenbeck editing suites adjacent to a common cutting room.
- The Digital Non-Linear Editing section consists of 35 setups comprising of the latest Avid Media Composers and Final Cut Pro for editing Standard and High Definition videos.