Shyamal Karmakar (Professor & Head of the Department)
Academic qualification: Post graduate diploma in editing from FTII, Pune
Industry experience: Worked with eminent directors like Kundan Shah, SaeedMirza, VidduVinod Chopra. Edited the award winning feature film Oye Lucky LuckyOye, directed …
Debashis Guha (Associate professor)
Academic qualification: Post graduate diploma in film editing from FTII, Pune.
Shantanu Pal (Assistant Professor)
Academic qualification: B.Sc from Calcutta University; Post graduate diploma in editing from SRFTI, Kolkata.
Saikat Shekhareshwar Ray (Assistant Professor)
Academic qualification: Post graduate diploma in editing from SRFTI, Kolkata.
Somdev Chatterjee (Assistant Professor)
Academic qualification:Post graduate diploma in editing from SRFTI, Kolkata.
What is Editing; Early Days Of Editing; Spatial & Temporal Continuity; Analog & Digital Editing; Montage; Pace & Rhythm; Editing & Sound; Digital Postproduction
Introduction To Digital Nonlinear Editing Systems
Editing Rushes With DNLE
Semester Ending Project – Continuity Exercise (DV)
Specialization (II to VI semesters)
Editing History (Early years, Russian School, German Impressionism, Italian Neorealism, French New Wave)
Editing Theory (Grammar & continuity, pace & rhythm, mise-en-ecene)
Digital theory(Basic concepts of computer technology, analog and digital video, compression formats, different media, working with film on the digital platform)
Documentary (History of documentary, Indian documentaries, British documentary movement, Cinema Verite, Direct Cinema, political motivation in a documentary, resurgence of documentaries in Europe and America)
Editing With Steenbeck and Digital Nonlinear Editing Systems
Editing drama, documentary
Advanced Digital post-production
Editing musical sequence
Graphics and compositing
Basic sound designing
DV film (Integrated Course)
तुहिनाभ मजूमदार (प्रथम बैच) फिल्म “मिडनाइट बायोस्कोप” के लिए इंटरनेशनल कॉम्पिटिशन सेगमेंट में मिफ्फ 2012 में गोल्डन कॉंप अवार्ड के विजेता सैकत एस रे (चौथा बैच) फिल्म “होप दीज़ लास्ट इन वॉर” (2007) में सर्वश्रेष्ठ संपादक के लिए राष्ट्रीय पुरस्कार जीता। “दीन ताक ढा” (2008) और “कई कहानियां और प्रेम और हेट” (2010) के लिए […]
Our objective is to endow students with comprehensive theoretical as well as hands-on-training with state-of-the-art technology that are being used by professional filmmakers in India and abroad.
The department houses separate wings dedicated to film and digital video editing environment.
- The film section consists of nine separate Steenbeck editing suites adjacent to a common cutting room.
- The Digital Non-Linear Editing section consists of 35 setups comprising of the latest Avid Media Composers and Final Cut Pro for editing Standard and High Definition videos.